Current mood: contemplative Category: Art and Photography
i am a mix-master DJ or(re)discovery or writing is knowing
my hair is a knotty bath black light strung over mountain tops melon dew ropes the spirits cling to in the salty times
my lips are tuned to ancestral beings muscle crescent and perched ready to sit and sing and pop spearmint gum and recite poem and sing awhile like lingering honey
A Black Feminist Statement From The Combahee River Collective
"We are a collective of black feminists who have been meeting together since 1974.1 During that time we have been involved in the process of defining and clarifying our politics, while at the same time doing political work within our own group and in coalition with other progressive organizations and movements. The most general statement of our politics ...
the grain of your voice rubbed against vinyl is prayer
is a ridge (like a ridge in your bottom lip) where i oil up and tan
cause blackness is just a beginning and the edge is where i jump to life
2.
you say i am the offspring of an obsolete machine
so i guess me'shell i ain't got nothing to prove me standing here in all my black woman self all dripping with spirit and legacy and rips that healed and ripped and healed and warm hands ...
you know a horn reaches past the body past the ache past the secret past the silence like the guitar reaches past the scream past the flat line past the flourish like a name reaches past the ancestors past the ovary past the egg and the water past the light like a remix reaches past its originary entrance
your voice reaches back it is a sankofa neck nodding the ancesto...
In Womanist Spirituality and Popular Music we watched a film called "The Language you Cry In" which chronicles reunited family through the story of a Mende funeral dirge. Interestingly, the song was sung before the slave trade and through the middle passage was transplanted to plantations and passed down by some enslaved African. The film documents a family who through keeping this song alive today is able to trace thier lineag...
Posted by Ebony Golden on Friday, February 26, 2010,
Like Blood in Our Children's Mouths":A Critique of Violence in
Stop The Church
"…we cannot live without our lives…"
-Audre Lorde
Stop The Church provides a key-hole-peek into the world of AIDS activism.It speaks to the role bodies play in resistance geared to agitate the religious/political institutions who often times treat human beings as commodities.Stop The Church is a blueprint for gue...
Unpacking the Crawl or Another Look at Global Positioning
By maneuvering through Manhattan in a kinesthetic position of lowness, Pope.L poignantly engages with ideas of mobility, space, agency, and identity which grow out of repeated experiences of state violence.In doing so, Pope.L's crawls provide a lens through which viewers experience a performance of lack which contextualizes and complicates the onto...
Posted by Ebony Golden on Friday, February 26, 2010,
CARRIE MAE WEEMS Untitled Outtake from The Kitchen Table Series 1990 silver gelatin print edition of 5 28 1/4 x 28 1/4 inches
So sistas and brothas, you may have figured out now that one of the major tenets of peformance studies is that performance happens everywhere and is not just confined to theater spaces. Cars perform, organs (kidney, liver and such) perform, nature performs, technology performs, so on and so forth. Objects perform, art pieces perform, etc. Above you find a photo created b...
below is an article i found about the queen and originator of the choreopoem- ms. mama priestess ntozake shange. as i continue to think about black women as conjurers and radical and revolutionary and artistic and spiritual bringers of light i am looking all over everywhere for stuff that highlights our work (conjurations). read the following article and feel free to post your thoughts here.
You thought you were too far away to participate in a performance process going on in NYC, well you were wrong.Calling all sistas who got something to say about blackness, womanness and artistic process.
Please answer the questions below in any form you choose: a poem, letter, story, list, sketch, dance, meal, outfit or what ever!
Then send it to me at furiousflower@gmail.com along with a bio and picture or yourself and...
you knew when you placed that light inside me when you licked this gold mine like you knew x marked the spot when you stole my eyes when you said rest here and waited three seasons for peace to dwell in my pulse when you measured my laughs in teaspoons of rain and breath when you wrapped my hair in your skin and carved an ankh on my lips and softened the span of my hips and charmed my neck roll and said re...
Posted by Ebony Golden on Thursday, February 25, 2010,
Dear Editor:
Please don't call me a black artist. Please don't call me a black philosopher. Please don't call me an African American artist. Please don't call me an African American philosopher.
Please don't call me a woman artist. Please don't call me a woman philosopher. Please don't call me a female artist. Please don't call me a female philosopher.
Please don't call me a black woman artist. Please don't call me a black woman philosopher. Please don't call me an African American woman artist. Please d... Continue reading ...
Posted by Ebony Golden on Thursday, February 25, 2010,
Adrian Piper's "Cornered" and "Everything": Debunking Notions of the Post-Racial Moment
(for New Orleans, Meghan Williams, Sean Bell, et. al)..:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />
Maybe, just possibly, blackness is an avant gard/experimental performance; just as performances that push corporeal frontiers or urge ontological shifts in the manner in which human beings relate to sometimes hostile and other times lulling g...
i straddle many worlds, literally. i resist and construct my own freedom everyday. i make choices, choices are made for me; i run between worlds. not because its particulary fun, but probably because making a choice to reside in only one sphere of thought, only one space of understanding acutally defies all I ...